A skills-based analysis of texts written for academic purposes. Topics include: essays of comparison and contrast, argumentative essays, problem solution texts, literature reviews, critiques, and report writing.
Focuses on developing an understanding of academic reading and writing, including sentence and paragraph structure and academic vocabulary, and aims to develop strategies for employing these for effective reading and writing of academic texts. Develops an understanding of broad principles and practices of academic discourse at university level.
NOTE: This course is available only to students who speak English as an additional language. All students must do a writing and/or grammar test at the beginning of this course. Any student whose results show a higher level of English language proficiency than appropriate for this course will not be permitted to take this course.
Develops University-wide skills of reading, writing and analysis. Addresses the needs of students in both English and other disciplines where both writing and reading have an important role in learning. The course fosters personal writing skills and also introduces writing as a subject of study in itself.
Offers students the opportunity to improve their mastery of skills necessary for success in university study, including time and workload management, written communication, note taking, academic writing, successful use of the library, and approaches to research. Introduces students to University structures, systems, and resources. Helps students assess their own needs and understand where to secure further support.
This class will focus on how to read, experience and develop an understanding of four of the great American poets of the twentieth century. We will strive to develop an understanding of the art of poetry and how poets create a working style. The course will also focus on developing critical reading and writing skills and on presentation skills, since each student will be expected on a regular basis to introduce specific poems for discussion. In recent years the course has studied poets such as Robert Frost, Emily Dickinson, Wallace Stevens, Marianne Moore, E. E. Cummings, T. S. Eliot, Elizabeth Bishop, Robert Lowell, and John Ashbery.
This course will examine excerpts of Dante Alighieri’s greatest passages from the Divine Comedy and other works in relation to the space and history of Florence. Textual analyses will be performed, unpacking the dense symbolism and motifs reflective of the intellectual and moral climate during 14th century Florence. Students will visit churches, piazzas, and palaces within the city and will examine these locations in the context of Dante’s life and surrounding controversy, the accusations and denunciations in his writings, the physical descriptions of the city, and the characters and historical figures present in his works.
This course focuses on the literary panorama of Florence, creating significant connections with the fields of linguistics, history, and socio-politics. Students will gain knowledge about the origins of the Italian language, they will learn about war literature and poetry, discover the key venues wherein literature flourished, explore the works of the locals, and also that of illustrious foreign authors who studied and wrote in Florence, and ultimately uncover the new literature developing in the city. The course is held outside, since Florence is the very setting of its academic content. Therefore, students will gain awareness of the significance of walking in the city so as to develop a new gaze that allows them to travel through various epochs and literary movements. This way, students will undertake an insightful journey through language, history, and narratives.
This module examines both the impact of climate change on cultural expression, and of cultural texts on our attitudes towards the environment. To facilitate these two perspectives, the module intersperses weeks on contemporary climate fiction (cli-fi) with weeks on other, broader texts, from ancient to modern: theatre, visual art, music and cinema. The module will equip students with an ecocritical vocabulary and the facility and opportunity to employ that vocabulary across a range of media and forms.
Introductory workshop in genre(s) of instructor choice, that may include mixed genres, playwriting, screenwriting, literary nonfiction, or others.
Fears of extra-terrestrial invasion and nuclear apocalypse, of seemingly strange and alien civilizations, and of social, economic, and cultural collapse belie SF’s trash label. This course introduces you to the genre’s deep philosophical dimensions, tracing its progress through the pulp magazine during the late-Nineteenth century fin de siècle and early Twentieth-century inter-war periods in the United Kingdom and the United States respectively, and its later development across the so-called Iron Curtain during the Cold War. This course will also challenge the traditional conventions of Science Fiction – interstellar conflict with alien races – and explore the genre’s diverse progressions: into Ecocriticism, Feminism, sexuality, and the near-future ‘Post-SF’ of the urban and suburban present.
This module has been designed to help students realise their creative potential by producing original and stimulating short fiction. Teaching will consist of specialist workshops conducted by an expert in the field. In addition to engaging with practical aspects of craft and technique, students will learn how to create believable, compelling characters and how to make them live (and die!) on the page. They will also have the opportunity to visit sites of historic importance and natural beauty to inspire their writing.
Excursion(s): The module includes a live ‘reading’ at a leading local arts centre, where you’ll have the chance to share the stage with a prominent Scottish writer.
From sparkly vampires to blockbuster monsters, gothic tropes appear to be all-pervasive in contemporary culture. As Catherine Spooner claims in Contemporary Gothic (2006), like ‘a malevolent virus, Gothic narratives have escaped the confines of literature and spread across disciplinary boundaries to infect all kinds of media, from fashion and advertising to the way contemporary events are constructed in mass culture’. What this course aims to do is to introduce students to Gothic’s literary expression in the British nineteenth century, before exploring the many ways in which this dark heritage continues to affect contemporary cultural production.
Focusing on three key texts from the nineteenth century, Frankenstein (1818), The Strange Case of Dr Jekyll and Mr Hyde (1886) and Dracula (1897), this class will discuss their adaptation, appropriation and influence on popular narratives such as those found in fiction, film, tv, fashion and music video. Some of the contemporary texts we will be drawing upon will be Twilight (book & film), True Blood (book & tv), Buffy the Vampire Slayer (film & tv), Scream (film), Supernatural (tv), Marilyn Manson (music), Interview with a Vampire (book & film), Blade (film), Blairwitch Project (film) etc.
Excursion(s): A visit to Edinburgh Dungeon and a gothic themed bar are included.
For the past decade, Scotland’s national status has been ‘both dangled before us and tantalizingly withheld’ (poet Don Paterson). With attention focused on the question of independence, recent debates concerning Scottish culture and identity gain a heightened political charge. Literature has not only reflected but actively shaped such debate. In the year the new Scottish Parliament was established (1998), Christopher Whyte argued that ‘in the absence of elected political authority, the task of representing the nation has been repeatedly devolved to its writers’. But what influence have writers played in recent political change, and to what extent has Scottish culture escaped its own stereotypes?
This course examines the literary and political currents shaping contemporary Scottish identity, introducing students to key twentieth- and twenty-first century texts. We encounter and explain a range of cultural debates concerning language, class, democracy and nationhood, attending to the urgency as well as the complexity of recent Scottish writing.
Excursion: There will be an excursion to Edinburgh, visiting the Scottish Parliament building and Scottish Writers Museum.
