This module focuses on the ways in which non-fiction media such as news, documentary, lifestyle journalism and popular factual television articulate and explore contemporary experiences of profound social change. It focuses especially on the changing landscape of social class, race, ethnicity and gender and asks how the media engages with these changes and presents them to its publics.
Topics include: narratives of social aspiration and social mobility, class labelling, depictions of the upper and elite classes, rhetorics of race, immigration, home and belonging.
Museums have featured on film – comedies, dramas and documentaries – in both starring roles and bit parts, from the dawn of cinema to the present. In this course, we will explore the way filmmakers have presented museums and the ways in which films both reflect and help define the place of museums in societies around the world.
PREREQUISITES: None
Course syllabi are provided as a guide only. Class timetables are released closer to program start date.
This course is a survey of Japanese popular culture with particular topics covered such as anime manga, fashion, music, art and food. Part of the course will focus on Japanese animation within a historic and popular cultural perspective. Both anime and manga will be examined with particular emphasis on the art, culture and national and international popularity.
Pre-requisite: One writing course or equivalent.
Journalism is presented in this course as a communicator of the arts and culture. Students will explore the diverse media outlets that have evolved around the coverage of the arts, fashion, food, and wine, as well as literature, music, dance, theater, and cinema. Coverage of individuals, movements, events, exhibitions, and happenings will be considered for critical reviewing, popular diffusion, and sociological and philosophical questioning. The course will also study strategies of how cultural and creative
journalism is presented to the public from a visual and aesthetic point of view, drawing from examples found in printed and online media. Course projects and activities will interact with the journalism activities of Blending, the magazine and newsletter of AUF’s campus press Ingorda.
This course examines the context in which the Italian fashion system was born. Topics begin from the evolution of fashion from the post-WWII period to the present and address the role and influence of media and culture on factors such as economic and social status, the arts, and other issues that influenced fashion. Students explore fashion’s connection to identity, body, politics, gender, ethnicity, sexuality, class, and how fashion and media are interrelated with these aspects of culture.
This course teaches students the basic writing skills necessary for news reporting. Students will perform several in-class writing assignments based on news leads. Topics will progress from short news items to longer stories with more complex issues and topics. Students will learn to gather facts through skillful interviewing techniques, practiced during role-playing exercises in class. Other topics include how to write under pressure for a deadline, develop and verify sources, and structure news stories to capture and retain the attention of the reader. Some exercises such as interviewing and fact gathering will be carried out in the field. Course projects and activities will contribute with the journalism activities of Blending, the magazine of AUF’s campus press Ingorda.
The first of a two-part series on magazine production, this course gives students a professional magazine production experience as an academic course. Students, under the supervision of faculty members, will curate every phase of production brainstorming, design, writing, photos, editing, layouts, production, and distribution of a professional lifestyle magazine produced by the institution. The magazine and its semiannual format will represent the student’s approach to living in Florence and topics such as the arts, gastronomy, travel, style, city scenes, etc. from a cutting edge perspective that seeks to challenge and go beyond the surface of a city. Course projects and activities will interact with the journalism activities of Blending, the magazine of FUA’s campus press Ingorda. This project requires additional hours outside of regularly scheduled class times. This class includes experiential learning with CEMI.
Pre-requisite: One communication course or equivalent.
What do we mean by “”community””? How do we encourage, discuss, analyze, understand, design, and participate in healthy communities in the age of many-to-many media? With the advent of virtual communities, smart mobs, and online social networks, old questions about the meaning of human social behavior have taken on renewed significance. Although this course is grounded in theory, it is equally rooted in practice, and much of the class discussion takes place in social cyberspaces. This course requires the active engagement of students and a willingness to experience a full immersion in social media practices. Much of the class discussion takes place in a variety of virtual world environments during and between face-to-face class meetings. Students who participate in this course will actively and productively engage in established and emerging forms of social media – and have some notion of how these practices affect the self and the community.
Pre-requisite: Foundational writing skills are not covered. Students are expected to apply a strong command of syntax, structure, and style according to the course topic.
This course looks at a variety of writing practices required of digital journalists and web writers, both in style and in subject matter. Students will gain experience writing diverse types of stories: investigative, news, feature, editorial, sports, entertainment, etc. They will learn how to write effectively for a targeted audience on a variety of digital platforms (such as websites including online versions of established media and wikis, blogs, applications and social media, multi-user communities and spaces, and smart device communication), document sources in a professional way, evaluate and critique their own publications, and about how online writing affects publication and interacts with social and civic participation. This course will also give students a further understanding of the principles, ethics, and practice of journalism in increasingly digitalized formats. This class includes experiential learning with CEMI.
From sparkly vampires to blockbuster monsters, gothic tropes appear to be all-pervasive in contemporary culture. As Catherine Spooner claims in Contemporary Gothic (2006), like ‘a malevolent virus, Gothic narratives have escaped the confines of literature and spread across disciplinary boundaries to infect all kinds of media, from fashion and advertising to the way contemporary events are constructed in mass culture’. What this course aims to do is to introduce students to Gothic’s literary expression in the British nineteenth century, before exploring the many ways in which this dark heritage continues to affect contemporary cultural production.
Focusing on three key texts from the nineteenth century, Frankenstein (1818), The Strange Case of Dr Jekyll and Mr Hyde (1886) and Dracula (1897), this class will discuss their adaptation, appropriation and influence on popular narratives such as those found in fiction, film, tv, fashion and music video. Some of the contemporary texts we will be drawing upon will be Twilight (book & film), True Blood (book & tv), Buffy the Vampire Slayer (film & tv), Scream (film), Supernatural (tv), Marilyn Manson (music), Interview with a Vampire (book & film), Blade (film), Blairwitch Project (film) etc.
Excursion(s): A visit to Edinburgh Dungeon and a gothic themed bar are included.
This course is designed to introduce students to key theoretical debates that have emerged in the study of Scotland’s relationship with the film and television industries. Important questions we will consider include: Who is responsible for constructing Scotland’s identity onscreen? How are Scotland and Scottishness depicted? Why do certain representations dominate over others?
The course will begin by exploring ‘Hollywood Scotland’, concentrating on the commercial cinematic representation of Scotland and Scottishness found in Mel Gibson’s Braveheart (1995). This will then be contrasted with a more local construction of Scotland found in the long running television show Taggart (ITV, 1983-2011). The final weeks will conclude by considering filmmaking in contemporary Scotland, first through contemplation of the importance of short films in the Scottish context, focusing in particular on the shorts and careers of Lynne Ramsay, Peter Mullan and Morag McKinnon, and second through examination of the Scottish/Danish co-produced ‘Advance Party’ initiative.
Excursion(s): You’ll have the opportunity to visit a celebrated screen location or meet a Scottish filmmaker.
Post-production is the phase in the film production process where stories come together. Images and sound are combined to build the narrative and craft what the viewer will experience. Editing involves technical skills, but crucially it is a creative process, in which each decision will impact the style and substance of the completed film.
In this module, you will learn both the creative and technical aspects of editing. You will be taught by an experienced industry professional, who will guide you through the art of post-production. You will be taught in a small group, using industry standard software and equipment, and working with material both from broadcast shows and award-winning student work. By the end of the module, you will have a confident grasp of technical skills, the techniques of visual storytelling and how sound and pictures come together to create an impact for a viewing audience.
This course is a survey of Japanese popular culture with particular topics covered such as anime manga, fashion, music, art and food. Part of the course will focus on Japanese animation within a historic and popular cultural perspective. Both anime and manga will be examined with particular emphasis on the art, culture and national and international popularity.
